A Red Sonja Cover Gallery XXX:
Open

This is the thirtieth installment in our Red Sonja themed cover galleries, continuing from the first gallery. Below, we present ten selected covers from various comic books, featuring Red Sonja in an open stance.

1

  • title: Red Sonja: She-Devil with a Sword (2005)
  • publisher: Dynamite
  • cover artist: Adam Hughes
  • writer: Michael Avon Oeming
  • artist: Mel Rubi
  • issue: #08 of 80
  • release date: March, 2006
  • cover: A cover
  • commentary: We begin this gallery with a question, "What does it mean when a woman sits with her legs apart?" In civilized society, women are expected to sit with their legs crossed. To do otherwise is considered unladylike. To be sure, Red Sonja was not raised in a civilized society nor did she consider herself a lady of refinement. This leads us to a second question, "What does it mean when a woman sits with her legs apart and a bloody sword positioned between them?" This is a somewhat different kind of question.

2

  • title: Red Sonja: She-Devil with a Sword (2005)
  • publisher: Dynamite
  • cover artist: Greg Horn
  • writer: Michael Avon Oeming
  • artist: Mel Rubi
  • issue: #08 of 80
  • release date: March, 2006
  • cover: B variant
  • commentary: The covers selected for this gallery (as well as other covers which were omitted as we culled the entries down to ten) share a common theme, namely a distinctly similar open stance adopted by the artists to portray Red Sonja. While the initial impulse may be to suspect that this recurring image is intended to be titillating, in this gallery we investigate other potential explanations.

3

  • title: Red Sonja: She-Devil with a Sword (2005)
  • publisher: Dynamite
  • cover artist: Tomm Coker
  • writer: Michael Avon Oeming
  • artist: Mel Rubi
  • issue: #09 of 80
  • release date: April, 2006
  • cover: C variant
  • commentary: After Red Sonja was rescued by the goddess, Scáthach, she took an oath of celibacy, rejecting all men unless they were first able to best her in combat. Imbued with extraordinary agility, strength and ferocity, Red Sonja remained a chaste warrior. There is little suggestion of chastity in this cover by Tomm Coker. One supposes that the allure of Red Sonja is heightened by her unattainability. Covers, which accentuate her desirability only serve to amplify the allure.

4

  • title: Red Sonja: She-Devil with a Sword (2005)
  • publisher: Dynamite
  • cover artist: Wagner Reis
  • writer: Eric Trautmann
  • artist: Walter Geovani
  • issue: #61 of 80
  • release date: December, 2011
  • cover: B variant
  • commentary: The attributes of strength and ferocity are traditionally considered male traits, as are the vocations of warrior and mercenary adopted by Red Sonja. This cover by Wagner Reis juxtaposes a demure femininity with the open seated position of a man and the carefully placed sword. There can be little argument, as one surveys the covers in this gallery, that the sword is intended as a phallic symbol, male genitalia being the only portion of masculinity that Red Sonja lacks.

5

  • title: Red Sonja: Vulture's Circle (2015)
  • publisher: Dynamite
  • cover artist: Jay Anacleto
  • writers: Nancy A. Collins & Luke Lieberman
  • artist: Fritz Casas
  • issue: #2 of 5
  • release date: February, 2015
  • cover: A cover
  • commentary: If the sword is symbolically Red Sonja's masculinity, we conjecture that the artistic and commercial appeal of these covers lies in their ability to tap into the (expressed or latent) interest in homo-eroticism of the largely male readership.

6

  • title: Queen Sonja (2009)
  • publisher: Dynamite
  • cover artist: Lucio Parrillo
  • writer: Luke Lieberman
  • artist: Milton Estevam
  • issue: #35 of 35
  • release date: April, 2013
  • cover: A cover
  • commentary: There are variations on the theme. Here Lucio Parrillo substitutes for the sword a great axe, but the open stance and inviting expression remain, as does the symbolic intention.

7

  • title: Vampirella & Red Sonja (2019)
  • publisher: Dynamite
  • cover artist: Gerald Parel
  • writer: Jordie Bellaire
  • artist: Drew Moss
  • issue: #1 of12
  • release date: September, 2019
  • cover: Kirby's Comic Art retailer exclusive variant
  • commentary: In this cover by Gerald Parel, the more feminine character of the interstellar vampire, Vampirella, is added to the scene. Clearly with her bloody sword in hand, open stance and stern expression, Red Sonja is depicted in the male role for this couple.

8

  • title: Red Sonja (2016)
  • publisher: Dynamite
  • cover artist: John Royle
  • writer: Amy Chu & Erik Burnham
  • artist: Carlos E. Gomez
  • issue: #21 of 25
  • cover: D variant
  • release date: September, 2018
  • commentary: There are other potential symbolic interpretations of a woman sitting with a bloody sword between her open legs. There are suggestions of masochism, in which the sword is used to inflict pain, though the expression of Red Sonja in none of these covers especially supports this interpretation. There is also the alternative suggestion of the threat of castration. In this cover by John Royle, the resolute and somewhat frightening expression affixed to Red Sonja's face would tend to support this view.

9

  • title: Red Sonja (2016)
  • publisher: Dynamite
  • cover artist: David Williams
  • writer: Amy Chu
  • artist: Roberto Castro
  • issue: #23 of 25
  • cover: B variant
  • release date: November, 2018
  • commentary: One supposes that any and all of these interpretations are possible. Of course, successful art invokes different responses in different people. (Surely there are some who would simply be offended by any one of these covers and move on immediately.)

10

  • title: Red Sonja (2019)
  • publisher: Dynamite
  • cover artist: Joe Jusko
  • writer: Mark Russell
  • artist: Mirko Colak
  • issue: #2 of 28
  • release date: March, 2019
  • cover: D variant
  • commentary: In any case, the representation of Red Sonja with sword placed between her open legs continues to appear, as illustrated by this cover from Joe Jusko to the second issue of Mark Russell's 2019 interpretation of Red Sonja. That we chose to dedicate an entire gallery to this theme will undoubtedly be judged by some as an error in judgment.

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